{"id":274,"date":"2016-01-10T18:15:30","date_gmt":"2016-01-10T18:15:30","guid":{"rendered":"http:\/\/the2ndsexandthe7thart.com\/?p=274"},"modified":"2016-01-11T04:41:34","modified_gmt":"2016-01-11T04:41:34","slug":"bite-sized-blog-post-chantal-akerman","status":"publish","type":"post","link":"http:\/\/the2ndsexandthe7thart.com\/index.php\/2016\/01\/10\/bite-sized-blog-post-chantal-akerman\/","title":{"rendered":"Bite-sized blog post: Chantal Akerman"},"content":{"rendered":"

\"Chantal<\/a><\/p>\n

 <\/p>\n

I had the opportunity to\u00a0study with CHANTAL AKERMAN right before she left this world in October 2015<\/a>. She was definitely eccentric in her brilliance and never filtered her points of view\u00a0… which sometimes caused for controversy… nonetheless\u00a0she clearly cared about film and those studying it and her passion for it never dulled.<\/p>\n

Best known\u00a0in academic and art house circles\u00a0for her feminist epic\u00a0Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles<\/a><\/em> (1975) which she directed at the young age of 25\u00a0Akerman\u00a0vacillated between documentaries and fiction but always remained faithful to expressing the truth as she saw it.<\/p>\n

\u00a0More to add to this “bite-sized blog” – please send us a comment!<\/p>\n

\n

Where to watch her films:<\/span><\/h2>\n

FANDOR<\/a><\/p>\n

HULU<\/a><\/p>\n

AMAZON (PRIME-STREAMING)<\/a><\/p>\n

AMAZON (DVDs\/BluRays for PURCHASE)<\/a><\/p>\n

CRITERION COLLECTION<\/a><\/p>\n

Read more about her:<\/span>
\n<\/span><\/h2>\n

ONLINE
\n<\/strong>Chantal Akerman: extraordinary artist of the everyday who we will miss for ever
\n<\/a>Travelling Shots in Chantal Akerman’s D’est (aka From the East, 1993)
\n<\/a>Then as Now, the Terrors of the Routine
\n<\/a>New York Times Obituary
\n<\/a>The New Yorker<\/a>
\n<\/a>Sense of Cinema<\/a>
\n<\/a>Wikipedia<\/a><\/p>\n

FILMOGRAPHY (from imdb):<\/strong><\/strong><\/strong><\/span><\/h3>\n
2015No Home Movie<\/a> (Documentary)<\/div>\n
\u00a02011<\/span>Almayer’s Folly<\/a><\/div>\n
\u00a02009<\/span>\u00c0 l’Est avec Sonia Wieder-Atherton<\/a> (TV Movie documentary)<\/div>\n
\u00a02008<\/span>Women from Antwerp in November<\/a> (Short)<\/div>\n
\u00a02007<\/span>State of the World<\/a> (segment “Tomb\u00e9e de nuit sur Shanghai”)<\/div>\n
\u00a02006<\/span>Down There<\/a> (Documentary)<\/div>\n
\u00a02004<\/span>Tomorrow We Move<\/a><\/div>\n
\u00a02003<\/span>Avec Sonia Wieder-Atherton<\/a> (TV Movie documentary)<\/div>\n
\u00a02002\/I<\/span>From the Other Side<\/a> (Documentary)<\/div>\n
\u00a02000<\/span>The Captive<\/a><\/div>\n
\u00a01999<\/span>Sud<\/a> (Documentary)
\n\u00a01997<\/span>Cin\u00e9ma, de notre temps<\/a> (TV Series documentary) (1 episode)<\/div>\n
\n
– Chantal Akerman par Chantal Akerman<\/a> (1997)<\/div>\n<\/div>\n
\u00a01996<\/span>A Couch in New York
\n<\/a>\u00a01994<\/span>Tous les gar\u00e7ons et les filles de leur \u00e2ge…<\/a> (TV Series) (1 episode)<\/div>\n
\n
– Portrait d’une jeune fille de la fin des ann\u00e9es 60 \u00e0 Bruxelles<\/a> (1994)<\/div>\n<\/div>\n
\u00a01993<\/span>From the East<\/a> (Documentary)
\n\u00a01993<\/span>Monologues<\/a> (TV Series) (1 episode)<\/div>\n
\n
– Le d\u00e9m\u00e9nagement<\/a> (1993)<\/div>\n<\/div>\n
\u00a01991<\/span>Lest We Forget<\/a> (segment “Pour Febe Elisabeth Velasquez, El Salvador”)<\/div>\n
\u00a01991<\/span>Night and Day<\/a><\/div>\n
\u00a01989<\/span>Les trois derni\u00e8res sonates de Franz Schubert<\/a><\/div>\n
\u00a01989<\/span>Trois strophes sur le nom de Sacher<\/a> (Short)<\/div>\n
\u00a01989<\/span>Histoires d’Am\u00e9rique<\/a><\/div>\n
\u00a01986<\/span>La paresse<\/a> (Short)<\/div>\n
\u00a01986<\/span>Le marteau<\/a> (Short)<\/div>\n
\u00a01986<\/span>Letters Home<\/a><\/div>\n
\u00a01986<\/span>Mallet-Stevens<\/a> (Short)<\/div>\n
\u00a01986<\/span>Golden Eighties<\/a><\/div>\n
\u00a01986<\/span>Seven Women, Seven Sins<\/a> (segment “Portrait d’une Paresseuse”)<\/div>\n
\u00a01984<\/span>Family Business: Chantal Akerman Speaks About Film<\/a> (TV Short)<\/div>\n
\u00a01984<\/span>Lettre d’un cin\u00e9aste: Chantal Akerman<\/a> (TV Short)<\/div>\n
\u00a01984<\/span>New York, New York bis<\/a> (Short)<\/div>\n
\u00a01984<\/span>Paris vu par… 20 ans apr\u00e8s<\/a> (segment “1 “J’ai faim, J’ai froid”)<\/div>\n
\u00a01984<\/span>J’ai faim, j’ai froid<\/a> (Short)<\/div>\n
\u00a01983<\/span>L’homme \u00e0 la valise<\/a> (TV Movie)<\/div>\n
\u00a01983<\/span>On Tour with Pina Bausch<\/a> (TV Movie documentary)<\/div>\n
\u00a01983<\/span>Les ann\u00e9es 80<\/a> (Documentary)<\/div>\n
\u00a01982<\/span>Toute une nuit<\/a><\/div>\n
\u00a01980<\/span>Dis-moi<\/a> (TV Movie)<\/div>\n
\u00a01978<\/span>The Meetings of Anna<\/a><\/div>\n
\u00a01977<\/span>News from Home<\/a> (Documentary)<\/div>\n
\u00a01975<\/span>Jeanne Dielman, 23 Commerce Quay, 1080 Brussels<\/a> (as Chantal Anne Akerman)<\/div>\n
\u00a01974<\/span>Je Tu Il Elle<\/a><\/div>\n
\u00a01973<\/span>Hanging Out Yonkers<\/a> (Short)<\/div>\n
\u00a01973<\/span>Le 15\/8<\/a> (Short)<\/div>\n
\u00a01972<\/span>H\u00f4tel Monterey<\/a> (Documentary)<\/div>\n
\u00a01972<\/span>La chambre<\/a> (Short)<\/div>\n
\u00a01971<\/span>L’enfant aim\u00e9 ou je joue \u00e0 \u00eatre une femme mari\u00e9e<\/a> (Short)<\/div>\n
\u00a01968<\/span>Saute ma ville<\/a> (Short)<\/div>\n","protected":false},"excerpt":{"rendered":"

  I had the opportunity to\u00a0study with CHANTAL AKERMAN right before she left this world in October 2015. She was definitely eccentric in her brilliance and never filtered her points of view\u00a0… which sometimes caused for controversy… nonetheless\u00a0she clearly cared about film and those studying it and her passion for it never dulled. Best known\u00a0in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[52,51,54,18,47,7,53,11,39,21],"_links":{"self":[{"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/posts\/274"}],"collection":[{"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/comments?post=274"}],"version-history":[{"count":9,"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/posts\/274\/revisions"}],"predecessor-version":[{"id":387,"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/posts\/274\/revisions\/387"}],"wp:attachment":[{"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/media?parent=274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/categories?post=274"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/the2ndsexandthe7thart.com\/index.php\/wp-json\/wp\/v2\/tags?post=274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}